Break Down the Walls Album Art Youth of Today

Youth Of Today is by far and away the most important band of the "youth crew era" in the late eighty'due south in New York Metropolis – no 1 else comes even shut.  Information technology's always struck me how far apart YOT stands from the residue – information technology's and so much faster, so much harder, so much more intense.  I think it's because they were the first. They kind of started the whole "athletic, clean cut kids from the suburbs playing fast hard positive punk music".  Their vii″ came out in 1985, long before the remainder of the stuff that came along in 1987-1988, and so everyone else was ultimately taking queues from YOT.  These other bands saw a formula of "clean cutting hardcore" all effectually them.  Since YOT came kickoff, they didn't take any other "youth crew" bands to follow or be influenced by – it simply didn't exist still.  So they were exposed and influenced by a more "punk" side of things.  They were influenced by what they had seen correct before them – Minor Threat, Bad Brains, vii Seconds, early on Boston straightedge like SSD and DYS, or any of the obscure NYHC records – the Abused, Urban Waste matter, Antidote, Agnostic Front, etc.  They took the raw "fuck you" of these early NYHC singles, the difficult edge from Boston (aye, pun), the "thinking man's hardcore" from Minor Threat and vii Seconds, added some able-bodied gear, weight lifting, and positive conscious lyrics, and the YOT monster was born, haha.  Because of this deviation in influence, YOT is quite only: faster, harder, angrier, more lyrically relevant, and just sounds more than frenetic than any of the other late 80'southward NY youth crew crowd.  When I run across photos and videos of YOT shows, I just see artillery and legs everywhere.  It just looks and feels more than intense than all the rest, fifty-fifty 20+ years later on in print.  To top it off, Ray's vocal commitment is ane-thousand percent in a higher place all the rest.  Information technology sounds energetic and "live", even on the bodily recordings.  It sounds like he's about to bound out of your speakers and start choking you out if you don't human action upon what he's trying to say right this moment.  When I said "frenetic" up above, I call back I'm mostly referring to the vocals. It simply sounds like he's going wild. That delivery makes all the positive lyrics feel that much more compelling, urgent, and worth listening to.  Say what you lot will about Ray or Porcell or whatever of the other guys – I've never met them and I don't pass judgement on people I haven't had my own relationships with… What I do know is the influence they've left behind on multiple generations of young people cannot be denied, and that lone has washed a whole hell of a lot of adept for the world.  The fact that I'm writing what I'm writing right at present, as a 31 twelvemonth old vegetarian straight edge developed, is a testament to that influence.  That's why over the years I've grown the most attached to my YOT and Minor Threat vinyl collections.

Youth Of Today – "Can't Shut My Eyes" 7″

The "Tin can't Close My Eyes" 7″ was originally released in 1985 on Kevin Seconds' (7 Seconds) characterization, Positive Force Records.  The start copy shown is a first pressing – black labels, red lettering. 2nd copy is 2nd pressing – bluish labels, white lettering.  See below for close-ups and descriptions of the other 2 copies with white labels, plus the orange vinyl on Revelation.

This is the "Some Records" pressing.  These 100 copies had bare labels and were hand stamped with "Some Records" stamps and sold exclusively at NYC's local record store, Some Records.  The record store was run by this dude Duane.  That ties in nicely with some other white characterization copy, described below.

Close-up of the Some Records postage stamp particular.

This is a strange variant which has a 2nd pressing blue characterization on the a-side, but a bare white b-side label with a manus-written message.  Supposedly the band found a few of these while on tour, wrote random things on the labels, and sold them at shows. Mine has a hand-written b-side label: "Duane is the hardest dude in N.Y.C." – obviously referring to Duane from Some Records!  This copy besides has a cool old YOT sticker, printed old-school fashion: actually shitty b&west printing on a pare away backing.  I've as well seen variants of this vii″ with have blank white labels on BOTH sides with hand-written messages. These could exist "Some Records" pressings that never got stamped, or they could be random plant mistakes like mine in a higher place, who knows.

Hither'south a prissy close-upward of the hand-written b-side label, repping Duane hard!

Though non an official Revelation release, Ray and Hashemite kingdom of jordan at Revelation released this Orange vinyl re-create of the Youth Of Today 7″ right around the time of the early on REV #ane-3 singles.  Ray and Jordan used the original plates from Positive Force to press 100 "Revelation copies" on orange vinyl to trade for toys, like GI Joe action figures, among other things.  In the Revelation photograph documentary, you'll see several early Revelation advertisements, offer records for toys – for example, Warzone on orange, Together on orange, and this YOT 7″ on orange vinyl.  Most of these orange vinyl copies have batman or superman stamps, to represent the trade for toys.  Mine has Batman stamps and the labels are hand-written. Encounter the close-up below.

"BATMAN in color.  What grows up while growing down?  A duck."  Haha, weirdos.  I don't call up I get it. I kinda practice, only, not really.  Likewise note batman stamp on the labels, and the sweet dinosaur stamps, haha!  I swear to god I had a complete set of dinosaur stamps just similar these when I was a kid. I was crazy into dinosaurs!  I would have been seven years onetime when they were stamping these things, so it's very possible I had the same sort of stamp sets around that time, ha!

This photo just shows the Batman stamps on each of the three components – cover, dust sleeve, and record labels.

The same insert was used with all pressings of the Can't Close My Eyes 7″.

Youth Of Today – "Can't Close My Eyes" LP

"Tin't Close My Eyes" was originally re-pressed on 12″ format on Porcell'south ain label, Schism Records.  These are shown in the first row in the photo above.  1st pressing on Schism had white labels, 2nd had crimson labels. The second row is a 12″ release on Nosotros Bite Records in Europe.  The first copy is a test pressing on We Seize with teeth, followed by yellow vinyl and black vinyl.  Finally in 1997, Revelation released "Tin can't Close My Eyes" on 12″ format with a different cover. This is shown on the 3rd row.  The commencement copy is an original exam pressing, out of just four copies.  The get-go pressing was on light-green vinyl out of 217, and a bunch on black. The yellow vinyl was done old in the 2000's.  Recently Revelation returned to the original 7″ cover artwork and pressed red and majestic vinyl to coincide with the YOT reunion shows in 2011.  I didn't option upwardly either of those.

Close-upward of the 1st and 2nd pressing on Schism.

Shut-upwards of the 1st pressing Schism labels.  The b-side label is a live photograph.  The 2nd printing labels are totally dissimilar.  Non only are they cherry-red, only the A-side label lists only the A-side songs, and the B side has an identical characterization that lists only the B-side songs.  There is no alive photo on the b-side like on the 1st pressing.

Comparison the inserts over the years.  The peak row is the original insert plant with the Schism release (both 1st and 2nd press).  Bottom left is the Nosotros Seize with teeth Records release in Europe.  Bottom right is the Revelation Records release.

Shut-up of the European exam pressing on We Seize with teeth Records, with all text in German.

Close-up of the test pressing on Revelation Records, out of only four copies!

REV-008  Youth Of Today – "Break Down The Walls" LP

So, this tape has been pressed a billion times over the years, and I had to show them all together.  This photograph really shows the rarest record I own, as well as my favorite tape I ain – I'll betoken those out later.  I purposely put the best stuff at the bottom of this picture and then it would show up meliorate.  Downward there you'll find what may be the mini collection I'g almost proud of – the original YOT BDTW pressings on Wishingwell Records.

Suspension Down The Walls was originally pressed in 1987 on Wishingwell Records.  Wishingwell was run by Pat Dubar, singer of Compatible Choice.  They had just released i of the best hardcore LP's of all time – U.C. "Screaming For Change", and followed it upwards with YOT BDTW. Not bad.  In the top row, you'll observe an original Wishingwell examination pressing, which is probably the rarest tape that I own.  I believe at that place were only eight of these, and I've only heard of 1 other ever becoming available. I remember some online posts in the early on 2000′south regarding 1 mailed out by Tim McMahon of Mouthpiece in a record trade… It got cleaved in the post, with pictures to prove it.  Talk nigh heart breaking on both sides.  So now, I guess there'due south probably simply seven of these. .

Some other view from a unlike angle…

Accompanying the exam are the elusive red and blue pressings of this LP.

I absolutely dearest the ice blueish color on the blueish vinyl copies – yet another weird shade that's never really been duplicated very often.  Wishingwell pressed 150 of each color, but while the band was in NYC for a evidence at CBGB's, their van was broken into and everything was stolen. A few copies had fabricated it out of the van for sale already, and the label had sold some in SoCal and hung onto some others, but information technology'southward estimated that there couldn't be more than l on each color really bachelor.  Of course, those copies that were stolen could have made it into apportionment, but with the rarity of these things seemingly impossible to go, nosotros all really doubt it. They probably just ended up in a dumpster somewhere…

Blue vinyl!

Red vinyl!

You'll also notice a copy of the weird "2nd pressing" on Wishingwell with the black and xanthous cover.  If you can believe it, I found this copy 100% still sealed for $8 at Cheap Thrills in San Luis Obispo in 1999 when I was in my 2nd twelvemonth of higher.  It had been sitting at that place since 1988, for 11 years, untouched.  Even at the time, that record was worth $sixty-$90, and so it'due south non like it had simply been "passed on" by a bunch of people.  For some reason, it had just never been stumbled upon by a collector before!  That same day I picked up a Bad Brains – Blackness Dots LP on white vinyl, all the same sealed.  You tin can honestly say that could never happen today.

The yellow/black label colors were besides changed along with the jacket and insert.

Anyhow – on to the actual Revelation pressing of the record!  In 1988, Revelation repressed the LP using the new blueish and yellow comprehend, which is what you lot see in the top row of records in the original pic.  Unfortunately, I missed out on a outset printing testing pressing on eBay back in 2008 – it had the "Electrosound labels", the pressing institute used on the early Rev LP'southward (example: my 1st pressing Assuming – Speak  Out LP test).

The 1st pressing has the classic two-tone colored labels that Revelation used effectually this time period on all of their LP's.

I actually ain two copies of the 1st pressing with blue/yellow labels, as seen on the get-go row of the primary photo. The difference is simply this "Loaned For Promotion But" stamp on the back of one copy.

After a few years, Rev was switching pressing plants and had to re-make the examination pressings if they wanted to re-press the Intermission Downwards The Walls LP.  That is how we arrive at my favorite record I ain – the 2nd press rejected Youth Of Today examination pressing on Green vinyl. Only ten copies be, and I have this framed and hangs on a wall in my home.  Rev was actually re-pressing a bunch of stuff at the new plant, and the found must accept just had an abundance of actress green wax laying around, so they ran the tests off on green vinyl.  There are besides light-green tests of the Bold – Speak Out LP repress too as The Fashion It Is LP repress (unfortunately I've never endemic either, though would exist so absurd to have the set of 3!).  I'm not certain what exactly is wrong with this YOT examination, but they rejected information technology and re-made the tests.

Close-up of the labels on the 2nd press rejected green vinyl test pressing.

After rejecting the light-green vinyl tests, they re-made the test pressings, this time on regular black vinyl. The Black test pressing with the former Erika labels is 1 of the 8 accepted second printing exam pressings.

Close-up of the accepted second press test pressing with Erika labels.

Rejected vs. Accepted 2nd printing test pressings, next.

Once they got an accustomed test approval, they made the second pressing of the Revelation version of the BDTW LP.  They kept the blue/yellowish jacket, but they did away with the bluish/yellow labels and went with new blackness and white labels with a band photo.

Shut-up of the second printing labels.

The insert on the 2nd pressing also changed from blue ink (1st printing, left) to blackness and white (2nd press, right).

Just for fun, I took a photo of all 4 different inserts – 1st and 2nd pressing on Revelation vs. 1st and 2nd pressing on Wishingwell.

The second row in the chief photo is the European pressing on We Bite Records.  The first re-create on that second row is the We Seize with teeth test pressing, followed by a xanthous vinyl copy.  Oddly enough I only have the Nosotros Bite release on the yellow vinyl – I need to get a regular black copy of this.

Close-up of the European test pressing on Nosotros Bite Records, with label text in High german.

Back to Revelation pressings… Subsequently several pressings of the BDTW LP with the black and white labels and blue/yellowish embrace, they repressed the anthology in 1997 with a dissimilar cover.  The new cover pressings are shown on the 3rd row in the main photo.  These pressings also had new label art. They started with orangish vinyl out of 217 copies, and tons of black vinyl.

Close-up of the 1997+ label art.

This is just a photo that compares the various different labels they used over the years. Top row is 1st and 2nd printing, which both came with the blueish/yellow embrace.  Bottom row is 1997+ press and European We Bite press.

In April 2001, they repressed BDTW on colored vinyl again, keeping the same cover and labels, this time on white vinyl out of 500. 60 of the covers were damaged in shipment, so only 440 come up on white vinyl with the regular embrace.  The remaining 60 white vinyl copies had a limited encompass for Posi Numbers Festival 2002, printed on this strange black felt blazon material.  So that'due south the weird black and white limited cover you come across in the 4th row (and in the photo in a higher place).

Close-upward of the back-cover of the Posi Numbers Fest comprehend, #fifty/sixty.

They also did 550 more black vinyl copies with the 1997+ cover, but they used the second press "ring guys in hoodies hanging out" labels from the 2nd press instead of the modernistic label art from the 1997+ printing. They must take had some actress labels left over from the 2d press.  This version can exist seen on the tertiary row, 4th copy of the primary photo, equally well every bit the shut-up photo above. The 2d LP in the 4th row is actually a electric current pressing I got in 2010.  They've gone back to the blue/yellow cover, simply are using the 1997 label art.

Youth Of Today – "Nosotros're Non In This Alone" LP

The second Youth Of Today LP is their best LP.  A lot of people would definitely debate with me, but I think "We're Non In This Alone" kills the "Pause Downward The Walls" LP.  The recording is way better, the vocal writing is tighter, and they seemed to stride upward their guitar work by adding in some extra second guitar stuff.  The first row is the original release on Caroline Records.  Both black vinyl copies are identical, except for the 2nd 1 has "Mix #2" etched in the matrix to denote a re-mix that they did for the second pressing.  The 2d row is the usual European pressing on We Bite Records.  The showtime copy is a test pressing on We Bite, with the regular black vinyl next to it.  Notice that they used the same cover as the Caroline release, but with a different colour scheme.  Also, I don't think there was a colored vinyl pressing on We Seize with teeth, which is sort of strange since the outset YOT LP on Nosotros Bite was washed on yellowish, and the GB Showtime Today LP on We Seize with teeth was on blue vinyl.  The 3rd row is another European release on Funhouse Records. I'yard not totally sure why they did dissimilar Euro releases, but based on the Flex discography, it says Funhouse came out originally in 1988 then Nosotros Bite later in 1992 – I don't know the details of why they switched from Funhouse to We Bite.  The first copy is a examination pressing on Funhouse Records, followed past a copy on yellow vinyl.  There was as well blackness vinyl for the Funhouse release, but I actually never picked one up – I demand to do that.  The concluding row is the 1997 Revelation re-pressing of the WNITA LP, with new embrace art.  At that place are 100 on deep red, 112 on deep purple, and tons of blackness vinyl.  I figured the moving picture wouldn't pick up the divergence, simply surprisingly the moving-picture show accurately shows the deviation of ruby-red vs. royal vs. black.

When you put the red and majestic vinyl up to the low-cal you tin can hands come across the divergence!

Even though the Caroline and We Bite releases take the same embrace art (albeit different colors), the dorsum covers are dissimilar.  Caroline on left, Nosotros Seize with teeth on right.

While we're looking at the back covers, bank check out the back of the Funhouse release.  Kinda wack how they highlighted the 10's on anybody's  hand in yellow, haha.  The layout for this Funhouse release is mostly god atrocious, and this is just more of the same.

This compares the original inserts of the Caroline release (top) and the later Revelation release (bottom).

This compares the inserts of the Euro releases – Funhouse on the left, Nosotros Bite On the right.

Original label detail on the Caroline release.

Shut-up of labels on Nosotros Bite test pressing with text in German.

Comparing the labels used over the years.  Summit left is Caroline, elevation correct is Revelation, lesser left is Funhouse, lesser right is We Bite.

REV-017  Youth Of Today – "south/t" 7″

Often called the "Undo" 7″, this record is dope. The terminal recording from YOT, and like almost any band'southward afterwards material, the most melodic. Some folks don't like that nigh information technology, but I love these songs.

Shown get-go is a 1st pressing test pressing from Rainbo Records.  I got this copy from Sammy, the drummer of YOT.  He'd kept it till 2009 when I bought information technology from him.  "Youth Of Today" is manus written on the A-side. See beneath for an interesting B-side.

The B-side has this Revelation Records accost stamp.  Why is this interesting? Well, I've never seen this postage or accost earlier!  All of the Rev releases had a New Haven, CT address on the back.  I'd never seen a Hamden, CT address on anything else other than this examination pressing.  Weird?  Information technology could take been a curt lived location right earlier they moved to CA, or it could have been a situation where they had an office location address (Hamden) and a warehouse/business organization/other address (New Oasis). I'one thousand sure someone volition chime in and gear up me straight on this one.  But I thought this was absurd… I only noticed this every bit I was taking the photos for this web log – I'd never really noticed or idea about it before!

Included with the test pressing was the original layout specifics/instructions/order form that Hashemite kingdom of jordan or Ray sent in to the printing establish for the 7″ covers. Information technology'due south cool to run across this sort of stuff and how they used to take to lay everything out manually and include instructions, instead of the mod solar day method where you simply submit digital fine art files.  I worked on the yearbook when I was a child in high school, so I'1000 a little flake familiar with laying out pages manually, etc. Seeing this 7″ layout instructions brought back some fun memories of yearbook grade.  Call up "pica's"? haha.

The beginning pressing of this 7″ had a total color tri-fold insert – you can run across it displayed with the 1st pressing copies on clear (out of one,000) and black (5,000). The next pressing still had the tri-fold insert, simply now printed in black and white.  Yous can meet information technology as the quaternary record in the pinnacle row.  These particular copies are kind of difficult to find and I've only seen a few of them around. Then this b&westward tri-fold was probably merely done on the 2nd pressing, but never once again after that.  I didn't know this variant existed till I came across it in 2008.   Anyway, Rev switched to a smaller single sheet for later pressings, and there are a billion pressed with this smaller insert.

The just colored vinyl originally available was the 1,000 on clear vinyl from the get-go pressing.  Then in 2001 they pressed 327 on clear vinyl with white mixed in. I figured I'd testify a photograph here depicting the articulate vs. the clear/white mix. And so recently they pressed 1350 on red vinyl for Record Store Day on 04/11/2011.   Oh – something interesting you may take noticed in the photo in a higher place… Look at the cover of my first pressing re-create.  It looks like information technology has some weird foursquare sticker in the upper correct hand corner?  That is not a sticker!  Information technology is actuallypart of the actual printing. I have no idea what is upwardly with it!  Information technology looks like a small photo of a bunch of wood planks, similar someone's wooden deck in their lawn or something, haha!  I know that all of the first pressing covers weren't like this!  It'southward like there was some error with the actual films used to print the covers, as if some photograph of a wooden deck got dropped in the layout! haha.  I've never seen anything quite similar this.

Just for fun, here's a photo showing all of the YOT 7″s together.

My Youth Of Today collection, at its peak:

• Youth Of Today – Tin can't Shut My Eyes EP (1st press, Cherry-red lettering on cover)
• Youth Of Today – Can't Close My Eyes EP (2d printing, WHITE lettering on cover)
• Youth Of Today – Can't Close My Eyes EP (Blank B-SIDE LABEL with mitt-written "Duane is the hardest guy in N.Y.C", WHITE lettering on cover)
• Youth Of Today – Can't Close My Eyes EP (3rd press, SOME RECORDS press w/plain white stamped "Some Records" labels, out of 100. Encompass is 1st pressing Cherry lettering sleeve)
• Youth Of Today – Tin can't Close My Eyes EP (fourth press, ORANGE vinyl w/batman stamp, out of 100. B-side batman stamped and mitt written: "BATMAN in color.  What grows up while growing downwardly?  A duck.")
• Youth Of Today – Disengage (Test PRESS, Revelation Records #17)
• Youth Of Today – Disengage (Articulate, 1st press, tri-fold full colour insert, out of 1000)
• Youth Of Today – Disengage (Blackness, 1st press, tri-fold total colour insert, out of 5000)
• Youth Of Today – Disengage (Black, 2nd press, tri-fold b&w insert, out of ??)
• Youth Of Today – Disengage (Black, after printing, condensed single sheet b&due west insert)
• Youth Of Today – Undo (Clear/WHITE SWIRL, Final press 04/27/2001, out of 327)
• Youth Of Today – Disengage (Ruddy, Record Store 24-hour interval 4.xvi.eleven, out of 1300)
• Youth Of Today – Can't Close My Eyes (BLACK, WHITE labels, 1st press, Schism/Caroline)
• Youth Of Today – Tin't Close My Eyes (Black, RED labels, 2d printing, Schism/Caroline)
• Youth Of Today – Can't Shut My Eyes (Exam PRESS, out of 4, Revelation Records #62)
• Youth Of Today – Tin can't Close My Eyes (GREEN, Rev repress, out of 217)
• Youth Of Today – Can't Close My Eyes (Yellow MARBLE, Rev final press)
• Youth Of Today – Tin't Shut My Eyes (BLACK, Revelation)
• Youth Of Today – Can't Shut My Optics (Exam Printing, We Bite records)
• Youth Of Today – Can't Shut My Eyes (YELLOW, Nosotros Bite records)
• Youth Of Today – Can't Close My Eyes (Blackness, We Seize with teeth records)
• Youth Of Today – Pause Down The Walls (Test Press, Wishingwell Records #4, yes finally – this is 1 of the vii tests in existance. I don't see myself ever moving this.)
• Youth Of Today – Break Downwards The Walls (RED, Wishingwell, at that place's probably only about fifty of these that weren't destroyed)
• Youth Of Today – Break Down The Walls (BLUE, Wishingwell, there'due south probably only about 50 of these that weren't destroyed)
• Youth Of Today – Break Down The Walls (Blackness, Wishingwell, RED/Bluish cover)
• Youth Of Today – Break Downwardly The Walls (Black, Wishingwell, BLACK/YELLOW Encompass, Dead MINT condition, I opened the sealed copy myself)
• Youth Of Today – Intermission Down The Walls (Test PRESS REJECTED, Dark-green vinyl, Revelation Records, out of 10. At that place are 10 of these, does NOT take the "Nancy Loves Walter and Mike" matrix. This is the 2nd pressing of the 1988 press, NOT a test of the 1997 or afterwards pressings.)
• Youth Of Today – Suspension Downwards The Walls (TEST Press Accustomed, BLACK vinyl, Revelation Records, out of eight. This is the accepted version of the Greenish rejected examination. There are 8 of these, does NOT have the "Nancy Loves Walter and Mike" matrix. This is the 2nd pressing of the 1988 press, Non a test of the 1997 or afterwards pressings.)
• Youth Of Today – Break Down The Walls (BLACK, Revelation, 1st press, BLUE and Yellowish labels, matrix – "Nancy loves Walter & Mike")
• Youth Of Today – Break Down The Walls (Blackness, Revelation, 1st press, PROMO Stamp on back, Blue and Yellowish labels, matrix – "Nancy loves Walter & Mike")
• Youth Of Today – Break Downwards The Walls (Black, Revelation, second printing, WHITE band hangout labels)
• Youth Of Today – Suspension Down The Walls (ORANGE, Rev repress 1997, out of 217)
• Youth Of Today – Pause Downwardly The Walls (WHITE, Posi Fest 2002 encompass #fifty/60, Rev repress 04/27/2001)
• Youth Of Today – Break Down The Walls (WHITE, Rev repress 04/27/2001, out of 440)
• Youth Of Today – Break Downwards The Walls (BLACK, Rev repress 04/27/2001, ring hangout labels from 1988, out of 550)
• Youth Of Today – Break Downwardly The Walls (BLACK, Rev repress 04/27/2001, new 1997 label fine art)
• Youth Of Today – Interruption Downward The Walls (Blackness, Blueish and Yellowish sleeky cover, labels from 1997 pressing)
• Youth Of Today – Break Down The Walls (Exam PRESS, We Bite Records)
• Youth Of Today – Break Down The Walls (Yellowish, We Seize with teeth Records)
• Youth Of Today – We're Not In This Alone (Black, 1st press, Caroline)
• Youth Of Today – We're Not In This Lonely (Blackness, Matrix = "Mix #2", Caroline)
• Youth Of Today – Nosotros're Not In This Alone (Test PRESS, We Bite Records)
• Youth Of Today – We're Non In This Alone (Blackness, blue and orange cover, We Bite Records)
• Youth Of Today – We're Non In This Alone (TEST PRESS, Funhouse Records)
• Youth Of Today – We're Not In This Alone (Yellow, Funhouse Records)
• Youth Of Today – We're Not In This Alone (Carmine, Rev repress, out of 100)
• Youth Of Today – Nosotros're Non In This Lonely (Regal, Rev repress, out of 112)
• Youth Of Today – Nosotros're Non In This Alone (Black, Revelation)

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